I just had the sweetest, tiniest women come into the store. They were both easily in their eighties, hair done up in curls, matching outfits, an entire barrel of perfume each. I thought, okay, they think the old toy store is still in this building…
Suppose a man makes unwanted social advances to a woman in, let’s say, a restaurant or theatre, and she eventually has to tell him loudly or angrily to get lost. She is the one who will be perceived as rude, hostile, aggressive, and obnoxious. His verbal aggression and invasiveness are accepted and expected; her rudeness (or mere curtness) in getting rid of him is noticed and condemned. One of our great myths is that a “real lady” can and should handle any difficulty, defuse any assault, without ever raising her voice or losing her manners. Female rudeness or violence in resistance to male aggression has often been taken to prove that the woman was not a lady in the first place, and therefore deserved no respect from the aggressor or sympathy from others.
— D. A. Clarke, “A Woman With a Sword” (via abuseexcuse)
A group portrait of female punk and new wave musicians in London, August 1980, L-R (back) Debbie Harry of Blondie, Viv Albertine of The Slits, Siouxsie Sioux of Siouxsie And The Banshees, (Front) Chrissie Hynde of The Pretenders, Poly Styrene of X-Ray Spex, and Pauline Black of The Selecter.